Dialogue of Shadows 2013

Jean-Marie Straub’s new film closes the circle. The years 1954–2013 are displayed as representing a film produced in collaboration with Danièle Huillet. The two had met in Paris in 1954, around the year they came across the text by Georges Bernanos, to whom Straub has now dedicated a half-hour film. A man and a woman engaged in a dialogue, talking about their love, as if talking across an abyss. Then, in the last take, the two of them close together, motionless for a long time

Conversations with My Gardener 2007

A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.

Death by Dialogue 1988

A guy and four of his friends visit his crippled uncle, a taxidermist who lives with his housekeeper next to a movie set. Pretty soon people start being killed in the manner they are in the script of the movie being filmed next door.

Kieślowski-Dialogue 1991

Documentary featuring a candid interview with Kieślowski and rare behind-the-scenes footage from the set of The Double Life of Véronique

Dialogue 2008

From the starting point of the alphabet as a series of abstract symbols, a visual representation of the spoken word, this film explores the acoustic and visual rhythm of type. Working directly onto the surface of 16 mm and 35 mm film stock using letterpress, Poirier utilises an aleatoric approach to animation, generating intuitive compositions governed by elements of chance and surprise. The typographic forms, once translated as a soundtrack, vary from the harmonious to the discordant.


Emerging from a period of withdrawal, a social recluse or ‘hikikomori’ relates her inner experiences against the backdrop of an illuminated and restless urban environment that never sleeps.

Dialogue with the Carmelites 1960

In full French Revolution, the young Blanche de la Force decides to protect a convent and so entered the Carmelite order. She meets the cheerful nun Sister Constance and mother Marie, among others, and is happy with them despite the external conflicts and pressures of his father to leave the convent. Film based on real and tragic story from the sixteen Carmelite nuns in the convent of Compiègne in 1794, and collected by the French writer Georges Bernanos in his play of the same name, which in turn was inspired by the piece "The Last of the scaffold" the writer Gertrud von Le Fort.

Winged Dialogue 1967

Winged Dialogue details with growing clarity the desperate beauty and sexuality of the body animated by it’s soul, essence blindly reaching out, touching, in brilliant patterns through and beyond those of the vanishing images, expressed vividly in the after-image on the mind, on the soul’s eye.

Streetscapes [Dialogue] 2017

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

Dialogue avec Notre-Dame

An amateur documentary directed by Jean-Pierre Valladeau on the paths traveled by Saint Jeanne de Lestonnac, niece of Michel de Montaigne and founder of the Order of the Daughters of Notre Dame.

God and Buddha: A Dialogue 1999

In this fascinating and unusual conversation, writer and physician Deepak Chopra talks to religion professor Robert Thurman about the connections and differences between two of India's most important philosophical beliefs: Vedanta and Buddhism. Chopra explores the foundation of Vedanta, while Thurman -- the father of actress Uma Thurman -- provides the Buddhist point of view in this meeting held in 1999 at New York City's Tibet House.

Arab Israeli Dialogue 1974

The tenth and final film directed by American independent filmmaker Lionel Rogosin. It is a filmed debate between the Palestinian poet Rashed Hussein and Amos Kenan, shot in the basement of Rogosin's Bleecker Street Cinema by Louis Brigante.

A Dialogue with Cyberspace 2018

Is the world just a place where our bodies live? What is it like to have a body and how is it related to what we feel? While we are trying to navigate our way into a new virtual existence, a digital entity starts to admire our capacity to perceive.

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